Blips of Progress
You know progress is never linear. If you lived during the time of Anna May Wong and Sessue Hayakawa , then you would have thought that Asians would become a significant force in Hollywood in the latter half of the 20th century. There were always blips of progress in cinematic history with regards to representation of the Asian American male: The Crimson Kimono (1959), Flower Drum Song (1961), Bruce Lee (1972), Vanishing Son (1994), Better Luck Tomorrow (2002), Harold and Kumar (2004). Every time one of these movies appeared, it looked like, "Yeah, things are getting better! We're on the road to full representation for the Asian American male!" But representation always comes in spurts, and we've never been able to reach a point of critical mass. I'm hoping that now with all the Asian guys in movies, Internet and TV that we'll gain some traction as far as representation, but more importantly… respect. Divide and Conquer The thing is Alph